The Fulcrum Exercise

For a copy of the Fulcrum Exercise Click here: Fulcrum Ex

This may appear to be a simple exercise for developing tone, yet it is so much more. Practiced correctly, it will also improve your technique and your concept of theory. This exercise was shared with me by my good friend, fantastic woodwind instrumentalist and musician; Lee Elderton

***A mandatory prerequisite is knowing the chromatic scale; two secondary prerequisites are a basic familiarity with intervals and knowledge of alternate fingerings for your instrument.

  1. Just as in any tone building exercise, we are aware of our sounds from the start of the note to the finish. Establishing a good sound first on “E” is integral and then we try and match that timber through the rest of the exercise. Maintain a consistent dynamic throughout this exercise. Keep your embouchure set; try not to make adjustments between notes. Let your air do the work for you.
  2. Technically, this exercise is basic; which gives the mind ample time to consider accuracy. Make sure that your fingers are opening and closing all at the same time. This may not seem too difficult of a task at first, but once you get into using the first finger keys (G#, A and Bb) and “the break” you’ll begin to realize the challenge. Observe the slur for each exersice and only use the tongue to start the first note.
  3. Theoretically, this exercise systematically employs every interval from a minor 2nd to the octave, above and below the starting pitch. While making your way through this exercise, be aware of the particular interval that you’re playing. Think ahead to the next interval before you move. (*Extra credit: Once you’ve gotten this exercise down, try changing your fulcrum note from “E” to “F.” The intervals always remain the same but the pitches that represent them will be different. This is a real mind twister, so keep your head in the game. This fulcrum exercise can be transposed starting on all twelve chromatic notes.)

Written particularly for the clarinet, this exercise translates very well to all instruments. Saxophones, try starting with “B” or “Bb” as your fulcrum pitch. Flutes, try using this exercise to improve your upper register. If high “F” is the best you can do right now, make middle “F” your fulcrum note. If you’re trying to perfect high “A” or “Bb”, start on middle “A” or “Bb.”

As always, practice slowly, in time and keep your mind engaged.

 

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